Galerie Robet Dantec
Elise Grenois
Indefinite Title - adapted space (Sheep's head) , 2020
Bronze, single print
Materialized only by the framework of their formwork, the "Indefinite Title - adapted space" are both a set of imaginary casts, and spaces allowing mental projection. Sheep's head, wild boars, ... the indication of what they contain is specified in their respective captions. The sculpture is a bronze print of the seal originally modeled in wax. The lost wax and its direct bronze melting does not cause any appreciable loss of shape. However, this choice is not only technical. Bronze is a printing material associated with classical sculpture. By choosing to scrap the molding process, it is part of the duration and history of the representations that surround this iconic material.
37 x 34 x 27 cm
2 900,00 €
Artworks by Elise Grenois
Artworks featured by Galerie Robet Dantec
Aurélien Finance
- Sentiment de papillon n°1 , 2020
Elise Grenois
- Intermediate Space n ° 2 , 2016 - 2017
Elise Grenois
- Indefinite Title - adapted space (Sheep's head) , 2020
Anaïs Prouzet
- Frappe, tue-la frappe, fends la en deux , 2018
Rebecca Brueder
- Voyageurs Victoriens sur le Glacier de Chamonix, 1867 , 2019
Aurélien Finance
- Sentiment de papillon n°2 , 2020
Anaëlle Thiéry
- Le reste de nous , 2021
Anaëlle Thiéry
- Le reste de nous , 2021
Anaëlle Thiéry
- Dinner is dead , 2020
Anaëlle Thiéry
- I remeber a soft material , 2021
Rebecca Brueder
- Below Popigaï , 2021
Rebecca Brueder
- Impactite 5 , 2021
Rebecca Brueder
- Impactite 1 , 2021
Rebecca Brueder
- Impactite 2 , 2021
Gaël Darras
- Babel's walls II (3) , 2021
Gaël Darras
- Babel's walls II (1) , 2021
Gaël Darras
- Les murs de Babel II (2) , 2021
Gaël Darras
- Babel's walls II (5) , 2021
Gaël Darras
- The walls of Babel II , 2021
Anaïs Prouzet
- Maman , 2019
Anaïs Prouzet
- Thibault , 2019
Anaïs Prouzet
- Maxime , 2019 - 2020
Aurélien Finance
- Sentiment de papillon 3 , 2020
Aurélien Finance
- Sentiment de papillon n°9 , 2021
Aurélien Finance
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